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The family is generally known for their extensive production of inexpensive and commercial instruments for the trade.
This violin is made of a two-piece table of spruce, back of maple with irregular fine figure, ribs of medium-fine figure, neck, pegbox and scroll of medium-fine figured maple, and a deep reddish-purple varnish. He was born 1915 , his mother bought him a violin from the Salvation Army store in the Bronx when he was 9 years old.
Names like Amati, Guarneri, and Stradivari have become synonymous with excellence in craftsmanship and tone.
Relatively unknown makers, capable of producing above-average violins, know that they might be able to command tremendous prices simply by affixing the label of one of these early makers to the instruments of their making. In its newest incarnation, however, instrument fraud appears to have shifted away from the production of clever fakes.
The violin, viola, and cello were first made in the early 16th century, in Italy.
To confirm these two attributes, the authenticator may employ several different techniques.
The key to authentication is the idea that there is no single feature of a violin that exists independently of another.
This implies that knowing the date narrows the number of makers, just as knowing the maker narrows the field of dates.
The Smithsonian Chamber Music Society's exhibitions, concerts, tours, broadcasts, recordings and educational programs have brought the Smithsonianâ€™s priceless collection of musical instruments to life for hundreds of thousands in the Washington area and millions of people all over the world.
This violin was made in Klingenthal, Germany around 1880.
This is often employed to combat fraudulent practices such as violin forgery and other forms of misrepresentation.